Everything we do, even the smallest of things, matters.”
With Ricochet Day, author Noel Silvia delivers another sweeping tale of the interconnectedness of humankind.
The stories we tell, the memories we collect, and the encounters we share with others reach farther than we can imagine.
The further you delve into Ricochet Day, the more the characters become intertwined. In this regard, it is similar to Silvia’s first novel Where Light Enters: A Novel of Hope.
Fans of Where Light Enters can look forward to another story of characters searching for optimism among less-than-ideal circumstances, and ultimately maintaining hope through it all.
How often do we think about what is coincidence and what is fate? Does it make a difference in how you treat yourself and those around you? Ricochet Day allows us to explore this through the lens of its various characters throughout a 24-hour period on a fateful San Francisco day.
Thanks in part to the flow and variety of characters, I found Ricochet Day to be a relatively quick read. I like to compare novels by the same author – what is similar, is there a new theme? (Stay tuned for my next review about two of Ruth Ware’s novels where I discuss exactly this.)
Read on for a Q+A with Noel Silvia to learn more about his writing process and new novel, Ricochet Day.
“… I’m saying that it’s all connected. Everything builds from what came before it. Everyone inspires those around them.”
Q. As with your first novel Where Light Enters, your sophomore release has been a labor of love. What inspired you to write about this particular day?
A. After the first book, which deals with some pretty heavy themes, I wanted to write a more joyful book, and for me, San Francisco is a city that holds so many happy memories. It’s the biggest little city in the country, with so much history and culture, that it was hard for me to not fall in love with it when I moved there in the late ‘90s.
Having grown up in California during the ‘80s, what happened on this day was one of those “Where were you when…” big events that stands out. It isn’t the event of the day that inspired me to pick this day so much as it is the people who lived there then and now. The Bay Area has seen so much tragedy throughout its history, but it is such a resilient place because of the people who make it their own. I love themes of contrast, such as light versus dark in the first book, and here, I wanted to really explore the choices people made on that day to choose hope in the face of adversity and disaster.
Q. The primary theme that everyone is connected by even the smallest actions is apparent throughout. Can you talk a little more about the secondary themes, such as truth in the chapter “Mokita”?
A. The second major theme is temptation and what we do when tempted. Do we choose the right thing or the easy thing? Do we choose the simple path or the path of honesty? This theme goes back to the old expression that there are three sides to every story: yours, mine, and the truth. The truth is so subjective, as everyone’s “story” is true from their POV. We often only see things how we want to see them, rather than how they actually are.
“Mokita” gets its title from the word in Kivila (spoken in Papua New Guinea) that roughly translates to “the truth we all know, but don’t talk about” .The closest idiom we have in English would be “the elephant in the room”. [Learn more here.] As a chapter, I wanted to explore what happens when we dance around the things we feel, and how not being honest about those things can lead to disaster. It’s easy for us to brush the truth aside, or expect others to “clean up our messes”, but at the end of the day, we need to be honest with ourselves and each other, as we never know how much time we have on this planet. “The truth will set us free”, and I tried to show that message thematically with various characters throughout the novel.
Q. You utilized hour-by-hour and person-by-person chapters while still presenting quite the cohort of secondary characters. How did the process of developing these characters compare to the characters of Where Light Enters?
A. The process was the complete opposite to Where Light Enters. In that book, I started with the characters and grew the stories out from there. I knew where I wanted them to end up, but I let their personalities lead the way. With Ricochet Day, it was a challenge because I knew that I only had a limited amount of time (a chapter or two) with each character to nail their characterizations, motivations, and unique quirks.
I started by making a list of the different themes and messages I wanted to explore in individual chapters, and from there, I thought about what types of characters would inhabit these spaces and scenes. Many of the characters are amalgamations of real-life people that I’ve known, and actual events pulled from my life, so that made it easier to give them a voice and context.
The fun part came when I got to arrange them in order, figuring out which theme best led into the other in a way that would make sense narratively and was still fun and engaging to read. There were some struggles, but once it clicked, I knew it was right and had to trust my instinct.
Q. What have you learned about the writing, publishing, and marketing processes that you’d like to share with other writers?
A. On writing – Know how to take feedback when it’s constructive, and don’t be afraid to scrap what isn’t working. Chapters like “Mokita” and “Ode to Emily” went through numerous versions (not just drafts) before I was able to settle on something that made sense.
On publishing – No matter how many times you write and review the same chapter over and over again, you’ll always miss things (comma here, quotation mark there). It’s stressful but trust that if you tell a good story, the reader will understand because it’s an independent thing and you don’t have the resources of a big publishing house. Plus, you can always re-upload corrected versions and tell those who bought the earlier version of the books with the typos that they now own a limited first-print edition!
On marketing – I’m still trying to figure this out. Going through Amazon KDP, there are avenues to explore, so do what I haven’t done yet and take the time to figure these out.
Q. It’s evident that you really enjoyed writing the chapter about Gabriela and Sprinkles. Have you given any thoughts to writing a children’s story?
A. Absolutely. I have several ideas for children’s books, and I foresee more adventures for Gabriela, Sprinkles, Horatio, and Gregory in the future. The Feathered Council [you’ll learn what that is when you read!] has plans for the children in their futures.
Q. What are you currently reading?
A. I am currently reading Parenting Your LGBTQ+ Teen by Allan Sadac, as it is a great resource for things I never thought about when writing about non-hetero-normative individuals. My next book, Your Pretty Self, deals with themes of beauty and how it affects women. As a CIS male, it is incombant upon me to learn as much as I can about the issues surrounding this topic so that I can be as accurate and responsible as I can. It’s no different than when I was writing about the Battle of Monte Cassino; I start with research and find the stories buried in the history and issues.
Thank you to Noel Silvia for contributing to today’s post.